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2008:06:29:09:42. Sunday. BYE POD. After 3+ years my iPod finally gave out yesterday. Luckily there were no songs on there that I didn't have backed up elsewhere, but it does appear that I've lost all my ratings, unfortunately. In a last ditch effort to be able to get them off, I am currently freezing it in the hopes that I can get 20-30 minutes of working time. The silver lining is that the 80GB iPod Classic I got to replace it is really nice. The interface isn't quite on the level of the iPhone, but the addition of Cover Flow and the half-screen menu is pretty terrific, and the display in general looks better than the one on Emily's iPod Video. Unfortunately, we're throwing a party tonight, which means I've got to spend most of the day copying stuff back over to this thing so that we can have music.
posted by Aaron S. Veenstra 2008:04:10:16:49. Thursday. A SUGGESTION. I assume we ought to be seeing some sort of genre-focused Rock Band off-shoot at some point, in the spirit of Guitar Hero: Rock the 80's and the upcoming Aerosmith version of GH. I would like to suggest an indie rock set. Imagine rocking through these with two or three of your hipster friends:
Minneapolis:
Montreal:
Washington, DC:
Austin:
It would be the awesomest thing ever, I suspect.
posted by Aaron S. Veenstra 2008:03:30:23:08. Sunday. PS3. We got a PlayStation 3 today, and it's the media center I've been dreaming about for years. Setup was a breeze, and it seems like the only thing it won't play that I think it ought to is PlayStation 2 games (thanks, short-sighted Sony assholes!). Upscaled DVD's look unbelievable, and I can't wait to see what an actual Blu-ray disc looks like in it. My recommendation is that everybody go buy one.
posted by Aaron S. Veenstra 2007:11:21:23:39. Wednesday. GENRE 2.0. Adam Greenfield posts on what seems like a decline in blogging: No, my guess is this: in order for Technorati to retrieve content, content must be created in the first place. We’re into a period where the longer-form online writing that typefied the time that, it now seems clear, was High Blogging’s Golden Age is being eclipsed by the kind of microblogging afforded by Tumblr and Twittr and Shittr, to say nothing of del.icio.usness or the various social-networking platforms. And what people microblog is links to YouTubery, not dissections of talks they’ve just seen. At best you’ll get somebody noting that they’re “At a talk by Firstname Lastname.”
What he's really asking is not so much whether blogging is withering away, but rather, whether the expressive explosion of what some people still call "web 2.0" has faded. And it has, I suspect, for a number of reasons. Perhaps most importantly, there was a bubble there, and it fooled a lot of people who said they weren't going to get fooled again. That bubble was borne out of novelty, and out of the adjustment period that comes when we start doing something new. Do we still need to post every single boring picture we take to Flickr? Are we, as bloggers, getting anything out of the treatises Greenfield's searching for? At some point it becomes noise and it stops being any fun. At that point, we're going to start seeing more traditional content in non-traditional venues, and less diarying and self-expression dumps. Given that, it would be nice if new media scholars would start taking genre into account a little more seriously. When Greenfield asks in his post's title if "blogging per se [is] a dying art," the blogging he's talking about isn't blogging "per se," it's a particular kind of blogging. For those of us interested in studying another kind -- like, say, political blogging -- the tendency to describe blogging as if it were one thing is a real pain. It's not something that would happen with other media -- nobody looks at "television" without at least some acknowledgment of genre differences. Yet, a colleague and I came up dry over the course of hour yesterday spent looking for literature that examines readers of political blogs specifically, rather than just of blogs generally -- as far as we can tell, the only such piece is another I and three co-authors wrote which will be published soon in Cyberpsychology & Behavior. I got into an interesting but frustrating conversation about this at a conference last weekend, in which basically every speaker brought different assumptions into the discussion based on their genre interests, and I really think it's a significant problem in the study of blogs.
posted by Aaron S. Veenstra 2007:07:24:08:15. Tuesday. THE FRINGE. One of things that strikes me about the scholarly approach to the Internet -- in particular when it comes to democratic theory concerns, but other things as well -- is the tendency to ignore casual, mass use in favor of focusing on uses that relate to political communication, mobilization or participation in some way but that tend to involve only a certain segment of the Internet population. This is nothing new, to be sure -- lots of early networked communication/virtual space scholarship centered on the construction on new identities unlinked to one's physical self -- changing genders most often, but changing anything else as well. This doesn't appear to be something that's really panned out now that the Internet actually exists and is well populated. Some people do it, sure, but they're few and what they do online doesn't tell us much about how people in general use the Internet. My point is that given the huge changes in the technology and demography of the Internet over the past ten years or so, we actually don't understand very well how people use the Internet, and we don't spend much time trying to find out. Rather than studying casual, mainstream users -- if only to have some idea of what the baseline is -- we talk about blogging, or mash-ups, or homemade political ads on YouTube, or social tagging, or Second Life, etc. Among younger users these things are much more common uses than they are among older users, of course, though it's hardly a straight-up correlation, but they're not exactly widespread in any age group. (It should be noted that within the group that is using these things, we often ignore what the Second Life people call "griefers," or at least naively assume there is some rationale behind their behavior other than adolescent misanthropy.) So let's assume that five million Americans are doing any given one of these activities somewhat regularly -- often enough that they're not just trying it out, but are actually using it. That's probably too high (the well-publicized "One Million Strong for Barack" Facebook group has just over 300,000 members at the moment), but for the sake of argument, let's say something has five million users. That's about 2.5% of the adult population in America, and probably 3.5% of the adult Internet user population. Let's say that across all these tools and sites that are so interesting in scholars, there are ten million people using at least one of them. That leaves over 90% of online Americans being largely unstudied, perhaps using the Internet for news, perhaps wary of "Web 2.0" tools for one reason or another, but largely unaffiliated with what so many scholars see as a revolution of social politics. While there is certainly something important in examining how people on the cutting edge are using the Internet, it's a mistake both to assume that the things they are doing will filter down to the rest of the online population eventually and to assume that the mass of vanilla users have nothing to tell us about how people interact through networks.
posted by Aaron S. Veenstra 2007:07:17:07:15. Tuesday. GENERATIVITY. We had a talk yesterday from Jonathan Zittrain (of the Oxford Internet Institute and Harvard Law) on the procession of "generative" technologies over time, and in particular the generative successes of the PC and the Internet. The idea of technological generativity is that a system provides the independent ability to create within it -- e.g., the structure of the Internet which allows people wholly unrelated to its creation and operation to produce things like Flickr, or Movable Type, or del.icio.us, etc. The generativity of both the Internet and the PC (in that case, in terms of application development) can be modeled as an hourglass, where production is funneled through IP (the Internet Protocol) or the operating system to use on the other side. One of the interesting things about his talk -- apart from the mode of the presentation itself, which was occasionally very meta but in a compelling way -- was his interest in the normative concern of maintaining high levels of generativity in new systems, such as the iPhone. But the thing that especially caught my ear was one of the last things he said before the end of the session, which was that geeks can extract generativity from most any system (witness, e.g., iPod Linux, which fully modifies a nominally closed system), but that the more pressing concern is that typical users can get some generativity out of digital communication systems. I agree with this basic concern, that new media lose a lot of their appeal if regular people can't use them to express themselves in a wide range of ways, but it seems like overreaching to claim that those regular people have such generative abilities as it is. People can and do produce all kinds of things thanks to the combination of, say, iMovie* and YouTube, which respectively take advantage of the generativity of the PC and the Internet. But more importantly, regular users rely on the ability of geeks to exploit the generativity of the PC and the Internet in order to produce iMovie and YouTube in the first place. Given this reliance of user generativity on geek generativity to exist in the first place, are we simply worrying about a sliding scale of difficulty or usability? What's the difference between iPod Linux, XBox modding, BitTorrent and Napster? They all require different levels of skill to implement and use, and they all required geek generativity to be created. Unless and until the tools are generated, they can't be used to generate content and experience. * iMovie is probably not the best example, since it is produced by the same organization as the OS on which it runs, but I couldn't think of a consumer-level video program not produced by Apple or Microsoft.
posted by Aaron S. Veenstra 2007:07:07:18:37. Saturday. MII, MYSELF AND I. So we got a Wii last week, and ever since Emily has been referring to herself as "my Mii." Welcome to the future!
posted by Aaron S. Veenstra 2007:04:28:15:34. Saturday. THINGS THAT NEED BE SAID. Hockey in HD is fucking amazing. But even so, I don't know if I can stand watching another Red Wings playoff collapse. The only thing nearly as cool as this TV is upgrading my laptop to 2GB of RAM, so that I can do anything at all that I might want to do while also playing videos onto the new TV. Adobe Creative Suite 3 is pretty nice so far, but I'm a little confused as to why it takes up twice the hard drive space of CS2.
posted by Aaron S. Veenstra 2006:06:22:10:26. Thursday. THE SWITCH. Our hosting service switch, which was supposed to take up to two days, took about four hours, which means I frontloaded this week's clips for nothing. So, rather than just let the site sit idle until Monday I figured I'd cover some well-worn ground and talk about my concurrent switch to Gmail. I haven't switched completely over -- I'm still using my same etchouse.com address -- but I am using the interface to coordinate all my accounts. Our new domain host has a nice e-mail administration interface, which makes it very easy to forward from one account to another, and I discovered that my wisc.edu account has the same thing if you look hard enough. I made the move primarily because it allows me to not have my old mail client, Entourage, running all the time on my underpowered laptop, and I'm already noticing the difference in performance in other applications. I also like having everything in one place and universally accessible. When I put the video clips together, for instance, I'm working on a desktop machine where I didn't previously have access to my mail, calendar or address book. Now I can get all that stuff from here, there or anywhere else. It's also amazing on blocking spam. I've had two slip through so far, whereas on a normal day it would've been about 50 or so before. There are some downsides, though. One is Google Calendar, which just kind of smells. It works much better under Firefox XP than it does under Safari (where it really doesn't work at all) but it's still pretty featureless compared to Entourage. The address book is similar -- other than name and e-mail address, all the rest of a person's contact info just goes into a plain textbox, rather than into individual database entries. This is the big UI problem with Google's "keep everything" philosophy. While the Google search engine is certainly fine-grained and powerful enough to easily find the things I'm looking for at any given time, that's no reason to supercede my existing skill in putting things where I know I'm going to want them to be later. For example, mail can be "archived" but there's no apparent way to create folders to store things in, or to sort by category. What you get is a big mess of mail with a few simple ways to separate it (inbox vs. archived, "starred" vs. "unstarred") and a big Google search box on top. I have no plans to switch back at this point, and I have the rest of the summer to get used to it before I have to deal with a lot of e-mail again, but I do hope they start to crank up the features a little bit and start thinking about getting it out of beta.
posted by Aaron S. Veenstra 2006:05:01:22:36. Monday. GOOGLE "ANTIQUITY." Chris Anderson of Wired and The Long Tail has another interesting find -- over a quarter of the traffic at his site is from users being directed by Google into his archives.
We're used to the newspaper model of content: new is what matters and yesterday's news is fish-wrap. But Google and the other search engines are time-agnostic. And the result of that is a dramatic shift in demand towards older material.
What matters to modern search engines is relevance, measure mostly by the number of other sites that link to a page. A little-noticed implication of this is that older content tends to score higher because it's had longer to accumulate incoming links. In other words, search inverts the usual priority of content: older is often better. We don't think of Google as a time machine, but that's actually what it is. By subsuming time under more important criteria such as "authority", it frees us from the tyranny of the new. Quality lasts and freshness is just one factor in many that determine value. He goes on to note that search engines account for 37% of his total traffic, with 10% going to new material and 27% to the archives. By contrast, the traffic to his archives that originates elsewhere (e.g. his own archive navigation links) accounts for only 12% of his total -- search engines more than triple the readership of his old material, which now makes up 39% of his overall traffic. A commenter at Anderson's thread notes a similar phenomenon at his own site -- any given item gets about 20% of its lifetime traffic while new and 80% while archived, 35% of that from searches and 45% from outside links or archive browsing. Makes me wonder if the ephemeral content model that so many traditional media outlets like (and that I reluctantly use for my podcast) is really such a hot idea. It may be painful to have exponentially more resources tied up in archival content, but "new" doesn't quite mean what it used to anymore.
posted by Aaron S. Veenstra 2005:12:10:09:34. Saturday. BEAST FOOD; COOL. So, about a week after I finally started paying attention to del.icio.us, Yahoo bought it. This comes hot on the heels of Yahoo buying Flickr and Upcoming.org, and of eBay's rather odd purchase of Skype. It seems clear that Yahoo, at least, is looking to make an end-around run at Google, challenging it on the service periphery, while not really attacking at all Google's central stronghold -- the search engine. I'm skeptical about this strategy, to be honest, and I'm really curious to see what eBay and Amazon are going to do in 2006. Google's put themselves in a position of vulnerability by announcing so many projects that never seem to get out of beta (Google News -- GOOGLE FUCKING NEWS! -- is still in beta), but if they can start to complete and integrate some of these things better, Yahoo may be arming up for a conflict that never happens.
posted by Aaron S. Veenstra 2005:10:14:15:11. Friday. THE NEXT LOGICAL STEP. I spent the early part of this week trashing the idea of a video iPod (or "ViPod," because heaven forbid we not have a cutesy name for this shit) to anyone who would listen. I am an Apple partisan -- I love my iPod Photo and Titanium PowerBook (that is to say, my "TiBook") more than any of my other gadgets -- but something about this video iPod idea just struck me wrong. All the speculation felt like it was based on the assumption that this was where the iPod, as a device and as a brand, ought to go, but not based so much on whether or not there was any place for such a device. What Apple announced on Wednesday is, for the most part, less terrible than what I was envisioning, but I still think it's a move that will not be successful without some major retooling. posted by Aaron S. Veenstra 2005:06:23:13:07. Thursday. DOUBLE One of my drives finally got stubborn today. My old desktop machine (a circa 1999 blue G3 tower) has three hard drives in it, and one of them has occasionally failed on read attempts over the past few months; today it stuck with the failure long enough for a chain reaction of evil to occur. When the computer hung, I rebooted and the drive's failure kept the system from coming up, even though it's not the startup disk. I shut down completely, let it sit, and brought it back up again. It took a few minutes, but eventually the system came up, with one drive not mounting. Surprisingly, it was a different drive than I believed was failing. Indeed, the missing drive was the one I could most easily afford to lose. If it's double-plus-dead, that'll be annoying, but not as bad as it could have been. So I shut down again and open the machine up to begin the trial and error of figuring out which drive is which. First try, I unplug the startup disk instead. Whoops! Booting from the Panther install CD indicates that no hard drives are mounted. Hm. Shut down again, blow some dust around, switch the startup disk in for another drive. By this time it's getting really warm -- the heat index today is supposed to be around 100, and the computer room in our house isn't near many good ventilation sources. So I plug in a box fan and get back to it. But not ten seconds later I get a familiar whiff of electrical fire. If you've worked in computer maintenance for at least a little while, you probably know this smell. Burning wires, dust, the pungent smell of a vacuum. I switched off the fan, thinking maybe I'd overloaded a power strip, and as I smelled around I couldn't find the source. It seemed to dissipate as soon as I started looking for it. So I ignore it, figuring there's so much dust in the room it's I wonder I'm not smelling burning dust all the damn time, and boot the computer back up. It sounds fine, but there's nothing on the monitor, even though it's got the green signal light. The smell was the monitor popping; I didn't place it because the last time that happened to me I was lucky enough to get a little mushroom cloud of smoke coming out the top. So know I have to go find a cheap monitor somewhere; I think the drive situation is fine, but I'll have no way of knowing until later. On the plus side, I got a 2.5" drive enclosure in the mail today, to get data off my old, semi-catatonic laptop drive, and it works beautifully.
posted by Aaron S. Veenstra 2005:05:12:21:56. Thursday. ON FILE-SHARING, EPILOGUE. More big BitTorrent sites sued, including maybe the biggest TV site:
In a press release issued today, the MPAA has filed lawsuits against six (6) independent BitTorrent indexing sites. This move comes as little surprise, as many of the MPAA's members also hold considerable interest in TV production as well. In addition, according to a recent survey by Envisional, TV piracy (especially on BitTorrent) as increased by 150%.
... "Since we began shutting these sites down, the time that it takes to download a file on BitTorrent has increased exponentially which means the experience of downloading copyrighted films and TV shows is not what it used to be," said Glickman. "We intend to make it even worse. Protecting the television industry is essential." Whatever you say, Mr. Former Secretary of Agriculture.
posted by Aaron S. Veenstra 2005:03:22:13:27. Tuesday. APPLE NOTES OF INTEREST. It's spring break this week, and I don't have the stomach to discuss the necrophilia going in Congress right now, so there's not much to post on. But a couple news items about Apple caught my eye, both from Mac Rumors. First, the third-party iTunes Music Store interface, which was recently released, PyMusique, has already been shut out by changes Apple made to the store's framework. But one interesting development has come of it -- apparently the files that are sent to you by iTMS do not include any DRM (digital rights management) restrictions on their use; the DRM is added by the iTunes application itself once the file arrives on your computer. I suspect this revelation will lead to yet more hacking by the iTunes hacking gurus. Also, Apple will apparently be switching to a two-button mouse in the near future. Are there still Mac users out there who are using the bundled mouse? Apple hasn't introduced a good mouse in ten years, so hopefully this gets them back on track.
posted by Aaron S. Veenstra 2005:01:25:16:50. Tuesday. ON FILE-SHARING, PT. 3. The legality (or illegality, as it may be) of file-sharing is still up in the air. While it appears that uploading, or sending files out to others, is the only thing that's definitely illegal under current law, many downloaders have been sued or threatened by copyright holders, as have many producers of file-sharing technology. (A person's status as an "uploader" or a "downloader" is made murky by the way most P2P programs automatically make anything you've downloaded available for upload.) Most of those who have been sued have settled rather than take their cases to court. To be honest, I don't really give a damn about the legal context of file-sharing beyond its circumvention. As far as I can tell, the legal avenue that big media corporations are pursuing is just another tactic to delay dealing with the enormous market problem that they know is waiting for them. The ethics of file-sharing are another story. (For the purposes of this discussion I am using the definition of "ethics" found at dictionary.com.) Is file-sharing ethical? Conditionally, yes, I think it is. There are several reasons for this conclusion. posted by Aaron S. Veenstra 2005:01:23:15:14. Sunday. ON FILE-SHARING, PT. 2. We tend to use "file-sharing" and "peer-to-peer" interchangeably these days, but they aren't really the same thing. P2P systems allow users to to send files directly back-and-forth to one another, but they are only one part of the file-sharing universe. Most of the things that wind up on the KaZaa network or the major BitTorrent trackers got there via Internet Relay Chat (IRC) or File Transfer Protocol (FTP). It all starts with a scene release group. If you've ever downloaded an album or a TV show, you may have noticed a seemingly random three-character string at the end of the filename; that's the name of a release group. These are the hardcore file-sharers who, in some cases, have access to advance copies of CD's or have high-end digital TV equipment capable of dumping tonight's episode of Boston Legal out to an XviD file in about ten minutes. They also, uniformly, have access to very high-speed connections and secure, private servers. posted by Aaron S. Veenstra 2005:01:22:16:46. Saturday. ON FILE-SHARING, PT. 1. Now that last month's raid on BitTorrent seems to be settling down, I think it's time to put some thought into where peer-to-peer file-sharing (P2P) is going from here. And so begins a series of stream-of-consciousness posts on the subject. To recap, BitTorrent is the current champ of P2P technologies, taking over from Napster, Audiogalaxy and KaZaa before it. BitTorrent is especially well-suited for transferring very large files, and its success has tracked with the rise in sharing of TV episodes and movies. These changes have also coincided with the continued penetration into homes of broadband Internet access.1 Thus, even someone who is relatively new to the process can easily download, for instance, the entire third season of Scrubs over a span of a couple days. posted by Aaron S. Veenstra 2005:01:17:16:02. Monday. THE POTENTIAL. This Wired article is a couple months old, but I just found it and it's blown my mind. Author Chris Anderson describes the new digital media marketplace in a way that reveals how "non-mainstream" material is able to thrive in the unlimited shelfspace of the Internet. Key point:
The average Barnes & Noble carries 130,000 titles. Yet more than half of Amazon's book sales come from outside its top 130,000 titles. Consider the implication: If the Amazon statistics are any guide, the market for books that are not even sold in the average bookstore is larger than the market for those that are. In other words, the potential book market may be twice as big as it appears to be, if only we can get over the economics of scarcity.
"The market for books that are not even sold...is larger than the market for those that are." While Anderson focuses primarily on large digital retailers (Amazon, Netflix, iTunes), I think it's also worth looking at the role played by entertainment-related communities and hub sites like Pitckfork, All Music Guide and TV Tome. I've learned about innumerable bands from AMG's "similar artists" feature that I otherwise wouldn't have, even from Amazon's recommendations. Still, quite an interesting analysis. With the BBC announcing that they will be offering on-demand re-runs to some broadband customers soon, I wonder if we're entering an era of micro-culture, in which we see blockbusters in all media become rarer but success stories like Interpol become more and more common.
posted by Aaron S. Veenstra 2005:01:11:15:45. Tuesday. HOLY SMOKING SHIT. Apple just announced the Mac Mini. This is it: It's got a CD-RW/DVD drive, DVI and VGA ports, plus the standard assortment of USB 2.0, Firewire and network connections. $499 for a 40GB drive and 1.25GHz G4, $599 for 80GB and 1.42GHz. As for the size, the box it ships in is smaller than the standard iPod box. It's 6.5" square on top and 2" tall. Hello, dedicated media center.
posted by Aaron S. Veenstra 2004:12:19:21:06. Sunday. C&D'S, DDOS AND ACRONYMS TO DIE FOR. I've been thinking a lot about how to address the siege being waged on BitTorrent sites by the MPAA, the RIAA and the law enforcement agencies of various nations. The situation looks basically like this. The BitTorrent protocol is a distributed peer-to-peer system in which clients connect to trackers to find else what other clients are sharing a particular file. The clients then connect to each other and send data back and forth. The trackers themselves are not actually handling any of the data, which is the defense put forth by the operators. The MPAA and RIAA don't care. They have issued cease and desist letters to some operators, engaged in distributed denial of service attacks against some trackers and actually had police raid some others. A handful of end-users have had lawsuits filed against them, but this is primarily an assault on the servers. Many of these servers (in fact, the vast majority of the high-trafficked ones) are located in Europe and Asia, and subject to American laws; however, local law enforcement agencies appear quite willing to help out. In the last few days, two of the top BitTorrent sites -- Suprnova and TorrentBits -- closed up shop for good. A number of other sites seem to have been lost as well, and those that remain are operating extremely slowly under the burden of new traffic. (Now comes the part where I try not to incriminate myself too much.) The problem with this approach is exactly the same as the problem with the way the RIAA approached Napster several years ago. When Napster started to get pinched, Audiogalaxy, WinMX and KaZaa stepped in; meanwhile, people started running private Napster servers using the OpenNap system. In the two days since the closing of TorrentBits became official, I've found about ten new-ish sites that fill the same niche and any of which could become just as big. BitTorrent alone accounts for about a third of all Internet traffic. It's not very secure when it comes to anonymity, but there are a lot of people working on that problem. It's not going anywhere, and it's an exceptionally well-designed delivery system. The MPAA could look at what happened when the RIAA dragged its feet on legal downloads (about 200,000,000 songs have been purchased for download ever, compared with about 1,500,000,000 that are freely downloaded each month) and decide to use BitTorrent to develop online distribution right now. They could realize that the people using BitTorrent the most don't have much money to sue away but are very enthusiastic about the music, movies and TV that they download. These people are simply not costing anybody any money; the greatest crime they are committing against the entertainment industry is getting the word out early about crap product.
posted by Aaron S. Veenstra 2004:12:13:14:17. Monday. ADVENTURES IN WIRELESS IDIOCY, PT. 3: WIRELESS GENIUS? The city of Madison wants to install a wireless network that would cover the airport, the convention centers and a 1.5-mile radius around the Capitol:
Many of the wireless hubs could be outfitted for light poles, meaning there will be no large towers incorporated in the plan, according to Twigg. The RFP requests interested vendors to lay out their construction and outfitting plans for the hubs. Vendors would cover the construction of the network hubs.
The winning vendor for the initiative will pay the city, county and state for the right to run the wireless-fidelity (wi-fi), Twig added. No taxpayer dollars will be required in the project. �The county, city and state working together provides for a seamless, wireless system that will provide great service at no cost to our taxpayers,� Falk said in a release. �Wi-fi will allow people to move about our community for business, study or pleasure and access the Internet.� Free access to a handful of local websites would be available, and full Internet service will be available for a selected fee. Users could pay for a daily, monthly or long-term fee to access the service. Meanwhile, near-campus locations not covered by university networks (i.e., the one coffee shop left on State St. that doesn't have its own wireless coverage) would now be covered, and the university could license access for students, rather than paying to expand its own coverage. I can't tell yet if this a great example of the public good being served, or a hackological disaster waiting to happen.
posted by Aaron S. Veenstra 2004:09:11:14:34. Saturday. ADVENTURES IN WIRELESS IDIOCY, PT. 2. So, our Belkin wireless router just died. It still operates as a switch for wired machines on the LAN, but won't connect to the Internet, won't let me get to the web-based control interface and won't put out a wireless signal. Also, for some reason the power light doesn't work, even though the LAN connectivity lights do. I called Belkin tech support, fully aware that they would neither understand nor care that I had already tested everything. Eventually, the guy asks me to go into the network settings for my computer.
ME: OK, I'm there.
BELKIN GUY: What address has been assigned by DHCP? [DHCP, or Dynamic Host Control Protocol, is the program through which servers assign addresses to computers on a network automatically.] ME: I'm using static IP's. [Static IP's are manually assigned addresses that supercede DHCP.] BG: (Pause) Why are you doing that? [Seriously, he was dumbfounded, like I'd told him my server was still running on punchcards.] ME: I find it to be more reliable than DHCP. [It's true -- DHCP doesn't work well with Appletalk in my experience, and it's easier to get the computers on the network to interact using static IP's.] BG: Well, what address is assigned? ME: 192.168.2.203. [That's an internal-only address, so don't even bother.] BG: Hm. Well, I was going to have you assign a static IP anyway, so let's try switching to DHCP. So, he was going to switch over to static, then was so shocked that I was already using static that he had to demand an explanation. What? Yeah. The upshot is, the router's totally screwed and they're sending a new one in "5-7 business days."
posted by Aaron S. Veenstra 2004:07:14:10:53. Wednesday. USABILITY TESTING? WHAT? All Music Guide, probably the Internet's most useful source of information about musicians and recorded music, has just unveiled its new site design -- its terrible, terrible new site design. Many features -- including elementary ones, like the pointer changing when hovering over a link -- only work in Internet Explorer for Windows. Information that used to be on one page, such as a brief band bio and entire discography, are now spread over as many pages as possible. It's so user friendly that it crashed my browser while I was writing this post. Waxy.org has a more detailed summary.
posted by Aaron S. Veenstra 2004:06:17:08:31. Thursday. I JUST FOUND OUT ABOUT THE GREATEST THING, TWO YEARS LATE. I got a DVD-RW drive on Monday. It's fantastic. I can't believe I didn't have one of these before. It's amazing enough that it burns entire CD's in under two minutes, but to also give me top-quality DVD copies in not much time? Awesome. Everybody get one.
posted by Aaron S. Veenstra 2004:03:31:10:50. Wednesday. HUMP DAY ROUND-UP. Here are some things that are going on. In San Francisco, the Giants' baseball stadium has gone WiFi:
Baseball fans bored by the slow pace of a game or wanting more statistics and information will be able to connect computer devices via wireless computer networking, or WiFi, at San Francisco Giants home games this year, the team announced on Tuesday. The Giants' stadium is, after all, called SBC Park, for telecommunications giant SBC Communications Inc.
"We've created, if not the largest, one of the largest hot spots in the world," said Larry Baer, the team's chief operating officer. "We're the first professional sports facility to provide people universal WiFi connectivity." The article doesn't address security at all, which is surprising. After the Day Everything Changed, security at stadiums and arenas became a really big deal. Are Giants fans going to have to stand in airport-style lines while people ahead of them turn on their laptops for the rent-a-cops? Meanwhile, in krazy konservative Grand Rapids, MI, the city that gave us Acting President Gerald Ford and where my dad was born, police have begun infiltrating anti-war protests and physically intimidating protesters:
When opposition to the war in Iraq began to mount last year, Grand Rapids Police sent undercover officers to anti-war meetings and rallies, collecting intelligence about the aims of activists, the department's chief confirmed.
"We are living in a different time now. It's a different day," said Grand Rapids Police Chief Harry Dolan. War opponents say their surveillance came closer to tyranny than protection from terror. In one case, they say, police threatened the job of a protester and said they would arrest her if she identified undercover officers she knew from her work as a Spanish interpreter at the Kent County Courthouse. ... Undercover officers called her over to their car, Puls recalled. The man on the passenger side took her hand, then squeezed it hard enough to force her to tell them her full name, she said. ... Grand Rapids Mayor George Heartwell said he is "very concerned" about the alleged incident involving Puls. Heartwell said he recognized the need to investigate threats against public safety but warned of "the tightrope you walk" when police conduct undercover operations. This does not surprise me. Grand Rapids has always had a big inferiority complex because of its proximity to Detroit and Chicago, and I can very easily see its police deciding that the next terrorist attack would involve peace activists taking out the Gerald Ford Museum. Lastly, a study has been released which shows no effect of file-sharing on sales of popular music and only a slight negative effect for niche records.
Songs that were heavily downloaded showed no measurable drop in sales, the researchers found after tracking sales of 680 albums over the course of 17 weeks in the second half of 2002. Matching that data with activity on the OpenNap file-sharing network, they concluded that file sharing actually increases CD sales for hot albums that sell more than 600,000 copies. For every 150 downloads of a song from those albums, sales increase by a copy, the researchers found.
"Consumption of music increases dramatically with the introduction of file sharing, but not everybody who likes to listen to music was a music customer before, so it's very important to separate the two," said Felix Oberholzer-Gee, an associate professor at Harvard Business School and one of the authors of the study. Oberholzer-Gee and his colleague, University of North Carolina's Koleman Strumpf, also said that their "most pessimistic" statistical model showed that illegal file sharing would have accounted for only 2 million fewer compact discs sales in 2002, whereas CD sales declined by 139 million units between 2000 and 2002. "From a statistical point of view, what this means is that there is no effect between downloading and sales," said Oberholzer-Gee. For albums that fail to sell well, the Internet may contribute to declining sales. Oberholzer-Gee and Strumpf found that albums that sell to niche audiences suffer a "small negative effect" from Internet piracy. They don't track things like concert ticket or merchandise sales, however, which is where small artists and likely to gain a lot from file-sharing. If you're on a major label and only sell 100,000 copies, you're making nothing from that record -- you're probably losing money, in fact. However, if file-sharing gets people interested enough to sell more tickets and t-shirts, you're getting a pretty sizeable cut of some significant new money.
posted by Aaron S. Veenstra 2004:03:28:22:17. Sunday. ADVENTURES IN WIRELESS IDIOCY, PT. 1. This story is probably only of value to the nerds in the audience, so consider yourself forewarned. Sometime last month, the new across-the-hall neighbors installed a wireless network -- a completely unsecured wireless network. With my trusty TiBook sitting idle on the coffee table, I happened to notice that the AirPort icon was all lit up. I tried to get on the Web, with no phone line connected, and it went through lickety split. It was unsecured, it was fast and it was free. And I have no scruples. Jump forward to a week ago. After a month of wondering when they were going to get wise to both my and Emily's laptops tapping their network all the damn time, the network suddenly stopped working. And this wasn't the sort of momentary outage that happens to every Internet connection, it was down from early afternoon until sometime in the middle of the night. I assumed they'd turned on MAC filtering and our computers could no longer join the network. For the non-nerds out there, every network interface on your computer has a unique address, no matter how or if it is connected to the Internet. Computers can be denied access to a network if they don't have a MAC address that's on the approved list. Faced with this, we decided to just shell out the $30/month for SBC DSL; they had a special going which gives 384Kb-1.5Mb downstream for that price if you sign a year-long contract, which is pretty good. The next morning, their network came back and I felt kind of dumb, but whatever. It wasn't going to last forever. The really dumb part came today. posted by Aaron S. Veenstra 2004:03:19:07:32. Friday. BILLION-DOLLAR BABIES. There's a discussion going on at Skate Jesus about cellphone ringtones. Apparently everyone in the world but me has a phone that rings with the theme from a terrible 80's TV show. Now, I find crazy ringtones kind of obnoxious, but if that's what you like, fine. But according to this admittedly subjective press release, ringtones were a multi-billion-dollar industry as of a year and a half ago. So, honestly, who the hell is paying for ringtones? I mean, is that not the most ridiculously self-indulgent thing you can think of? OK, there's probably something more self-indulgent -- using the United States military to avenge your father's attempted murder, for instance -- but I can't come up with anything that applies to such a large part of the population. Given the state of the American economy right now and the unbelievable proliferation of needless and expensive phone technology, I can't help but think this is the most accessible example of the widening gap between American haves and have-nots.
posted by Aaron S. Veenstra |